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So when you have this monster with a problem, and she's adorable, and she's healthy, and she's vibrant, and she's a bright color, and wearing fabulous native clothing to the country, and she's got a positive attitude, and again, because she's a monster, it allows you to be more accepting of this character and what her message is. I think developing the HIV character as a monster allows you to not put a human stigma on it - at least, not easily. Everyone brings their own experience to that character and what they get out of it, so it's a very pleasant way of developing a character. And at the same time, because it's very abstract, you interpret it one way, you interpret it another way, and you interpret it another way. It doesn't allow it to be categorized, because the monster is very abstract. When we include monsters in any of our shows, it kind of defuses specific categories. They didn't want it to be a humanoid character, and be very specific. I'm not part of the Sesame Workshop concept team, so I'm sure that they went about developing and developing, and then they came back to Henson, and to me, to talk about the character that can be developed to represent HIV in South Africa.
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During that time, I remember there were some rumblings about, is there any way we can affect the AIDS issue in Africa. It was a very successful first season, did very well. “We had done a season of South Africa, Takalani Sesame.
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